Book Description.
From his cult classic television series Twin Peaks to
his most recent film Inland Empire (2006), David Lynch is best known for
his unorthodox narrative style. An award-winning director, producer,
and writer, Lynch distorts and disrupts traditional storylines and
offers viewers a surreal, often nightmarish perspective. His unique
approach to filmmaking has made his work familiar to critics and
audiences worldwide, and he earned Academy Award nominations for Best
Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland
Drive (2001).
Lynch creates a new reality for both characters and
audience by focusing on the individual and embracing existentialism. In
The Philosophy of David Lynch, editors William J. Devlin and Shai
Biderman have compiled an impressive list of contributors to explore the
philosophy at the core of the filmmaker's work. Lynch is examined as a
postmodern artist, and the themes of darkness, logic, and time are
discussed in depth. Other prominent issues in Lynch's films, such as Bad
faith and freedom, ethics, politics, and religion, are also considered.
Investigating myriad aspects of Lynch's influential and innovative
work, The Philosophy of David Lynch provides a fascinating look at the
philosophical underpinnings of the famous cult director.
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The Philosophy of David Lynch (The Philosophy of Popular Culture)
The Philosophy of David Lynch (The Philosophy of Popular Culture)
Publisher: The University Press of Kentucky (February 18, 2011)
Author: William J. Devlin (Editor), Shai Biderman (Editor)
ISBN-10: 0813129915
Paperback: 258 pages
Language: English
Format: PDF
Info: http://www.amazon.com/Philosophy-David-Lynch-Popular-Culture/dp/0813129915
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